When I wallowed in the culvert, I held deep converse
With a synaesthetic slug who loved a snail.
“Sir,” I said, inclining my head, “I intend
To write yet more verse.”
“Orange,” he replied, “and yet, here’s the rub,
She! She is aquamarine.”
When I found her she proved to be a witch
Whose glistening was worn and carried off well.
“My lady,” I gasped, “tell me about Love.”
And she stretched out her shining frame and
Promised me the earth – if I’d only
Net the sea.
Now I once knew an island there.
So I set out in search. I called out her name,
The island’s; seven hundred and eighty-nine
Songs told me that Europe now had her.
“Boy, you don’t need her, you don’t need us,
You don’t need the sea – ‘snot your calibre”
I wondered, true, if it was a question
Of technique. Should I try Moments?
Slug? Witch? Sounds?
“No,” said Dylan and the faculty,
“Keep yourself about you.
What else do you know?”
Wednesday, 16 January 2008
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4 comments:
Ah, you.
Brilliant - really. The problem perhaps is that there are so many good images and symbols that are gestured towards in passing that a reader might miss them and so miss how good the poem could be...maybe 'develop' your images a little more, or assert them, i don't know. Anyway very good.
Terseness, Sammy, the great sages of the east used very very light brushes
ezra pound was very interested in the concept of brushstrokes
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